Showing posts with label language of flowers. Show all posts
Showing posts with label language of flowers. Show all posts
Wednesday, 14 March 2012
'Virtue' Design
After working for some time on a design I have been calling 'Virtue' I have completed the mixed media piece and scanned it ready to edit using Photoshop and put into repeat.
The themes of the design are drawn directly from my extensive research into the historical use of flora and fauna as symbolic imagery, and of the styles and aesthetics of ecclesiastical art.
Within 'Virtue' I chose to incorporate 3 different birds which historically represent purity and virtue in Christian art; the Dove, the Goldfinch and the Sparrow. With the Dove representing; the Holy spirit and the Virgin Mary, the Goldfinch; The Passion of Christ and the Sparrow; Gods concern for living creatures.
The flowers within the design also represent aspects of 'Virtue'; the white Lily; chastity, purity and immaculate conception (can traditionally be seen in pieces of art depicting the annunciation), the Passion Flower; the passion of Christ, the daisy; innocence and purity, the Star of Bethlehem; purity and hope and coltsfoot; the Virgin Mary (due to its radiating, halo appearance). The flora were also carefully selected as they were aesthetically complimentary, as well as symbolically.
Here is a close up of one section of the design:
Thursday, 29 September 2011
The Language of Flowers
The language of flowers is a concept which I am interest in introducing into my project. Having planned to theme my final project on flora and fauna for some time, the summer project was an odd coincidence. Initially I planned to create a natural project bursting with symbolism, and this is what I wish to return to.
The paper in the book prescribed for the summer project is far too lower quality to use for design work, so Ive begun my official sketchbook, made from 100% recycled cartridge paper, I will be binding the book myself once again. I am also eager to work in my own style and preferred media again.
I have taken a number of books out of the University library to read on floral symbolism within art and the Language of Flowers, although I am not a stranger to the topic. At college my specialist subject in fine art was The Pre-Raphaelites, famed for their heavy symbolism and use of nature (I also have experience with Vanitas art and Ontbijt).
The Language of Flowers rose to popularity in the Victorian era, when sending a posy was not something to be ill-considered, as every flower had a different and important meaning. The language was often used to express emotion, therefore causing the flower to become a powerful and potent symbol. Dictionaries were developed for users of the Language to ensure that they understood the meaning of a posy correctly. The meanings of the flowers often came from mythology, religion or scientific experimentation, and are surprisingly relevant and well considered.
A concept I have begun to work on is the idea of using flowers to express a trait, my first instinct was representing good and bad through floral symbolism, however this idea evolved into the idea of using the Seven Deadly Sins and Heavenly virtues as the basis for a collection of fabrics. I find the concept of people wearing a garment made of what symbolically represents 'Lust' or 'Wrath' and either revelling in this subliminal message, or being ignorant to it most enjoyable.
Although the language is largely disused now, we still cling to core symbolism from some flowers, such as purity from the white lily, love from the red rose, childhood from the daisy and vanity from the Narcissus. These surviving and widely known symbolic flowers do give a certain degree of hope that the language could be revived, if only to a few, as I do rather enjoy the passion and detail of floral symbolism.
The paper in the book prescribed for the summer project is far too lower quality to use for design work, so Ive begun my official sketchbook, made from 100% recycled cartridge paper, I will be binding the book myself once again. I am also eager to work in my own style and preferred media again.
I have taken a number of books out of the University library to read on floral symbolism within art and the Language of Flowers, although I am not a stranger to the topic. At college my specialist subject in fine art was The Pre-Raphaelites, famed for their heavy symbolism and use of nature (I also have experience with Vanitas art and Ontbijt).
The Language of Flowers rose to popularity in the Victorian era, when sending a posy was not something to be ill-considered, as every flower had a different and important meaning. The language was often used to express emotion, therefore causing the flower to become a powerful and potent symbol. Dictionaries were developed for users of the Language to ensure that they understood the meaning of a posy correctly. The meanings of the flowers often came from mythology, religion or scientific experimentation, and are surprisingly relevant and well considered.
A concept I have begun to work on is the idea of using flowers to express a trait, my first instinct was representing good and bad through floral symbolism, however this idea evolved into the idea of using the Seven Deadly Sins and Heavenly virtues as the basis for a collection of fabrics. I find the concept of people wearing a garment made of what symbolically represents 'Lust' or 'Wrath' and either revelling in this subliminal message, or being ignorant to it most enjoyable.
Although the language is largely disused now, we still cling to core symbolism from some flowers, such as purity from the white lily, love from the red rose, childhood from the daisy and vanity from the Narcissus. These surviving and widely known symbolic flowers do give a certain degree of hope that the language could be revived, if only to a few, as I do rather enjoy the passion and detail of floral symbolism.
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